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Arve Henriksen - Places Of Worship mp3 flac

  • Performer: Arve Henriksen
  • Title: Places Of Worship
  • Size MP3 ver: 2724 mb
  • Size FLAC ver: 1274 mb
  • Date of release: 2013
  • Style: Contemporary Jazz, Experimental
  • Rating: 4.7 of 5
  • Genre: Electronic / Jazz
Arve Henriksen - Places Of Worship mp3 flac

Tracklist

Bayon3:42
Abandoned Cathedral4:16
Portal4:11
Adhān3:21
The Sacristan3:12
Shelter From The Storm3:34
Saraswati4:29
Alhambra5:04
Lament3:54
Le Cimetière Marin4:28

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
RCD 2147, RCD2147Arve Henriksen Places Of Worship ‎(CD, Album)Rune Grammofon, Rune GrammofonRCD 2147, RCD2147Norway2013
RCD 2147Arve Henriksen Places Of Worship ‎(CD, Album, Promo, Car)Rune GrammofonRCD 2147Norway2013
RLP 3147Arve Henriksen Places Of Worship ‎(LP)Rune Grammofon, Rune GrammofonRLP 3147Norway2013
RLP 3147WArve Henriksen Places Of Worship ‎(LP, Ltd, Whi)Rune Grammofon, Rune GrammofonRLP 3147WNorway2013

Album

Places Of Worship released 1 October 2013 in Oslo, Norway is an album by Arve Henriksen. This album marks the return of Henriksen to the label Rune Grammofon and furthers his collaboration with Jan Bang and Erik Honoré. He never separates himself from the environmental information provided by his natural Nordic landscape. The lush, wild, and open physical vistas of its geography provide an inner map for the trumpeter and vocalist that amounts to a deeply focused series of tone poems. While these. Places Of Worship. Arve Henriksen - Places Of Worship 2013. To favorites 1 Download album. Listen album. Jazz Experimental Contemporary Jazz. Arve Henriksen. Songs in album Arve Henriksen - Places Of Worship 2013. Arve Henriksen - Adhan. Arve Henriksen - Saraswati. Arve Henriksen - Le Cimetiere Marin. Arve Henriksen - The Sacristan. Arve Henriksen - Lament. Arve Henriksen - Portal. Arve Henriksen - Alhambra. Arve He. Album 2013 10 Songs. Places of Worship Arve Henriksen. Crossover of Worship signals trumpeter and composer Arve Henriksen's return to Rune Grammophon and furthers his collaboration with both Jan Bang and Erik Honoré. Here his experimentations with sound, space, and texture offer listening environments that reflect various sacred spaces the world over, hence its title. While these tracks are impossible to separate from the influences of Jon Hassell's Fourth World Music explorations or the more murky moodscapes of Nils Petter Molvær, they are also more than a few steps removed from them. Henriksen never separates himself from the environmenta. Listen free to Arve Henriksen Places of Worship Adhan, Saraswati and more. 10 tracks 40:11. This new album contains 10 sublime reflections on religious sites and buildings. Read full review. Arve Henriksen is a major representative of a golden generation of Norwegian jazz musicians. This is his ninth solo album eight on Rune Grammfon and one on ECM, he has also released a dozen albums as a founder member of Supersilent and appears on well over a hundred records by artists like David Sylvian, Jon Balke, Trygve Seim, Imogen Heap, Arild Andersen and many more. With Towards Language trumpeter Arve Henriksen is back with his trusted long time musical partners Jan Bang and Erik Honoré. Arve first collaborated with the pair on the much loved and highly praised Chiaros. Arve Henriksen is a classically trained musician whose ethereal, Japanese-influenced trumpet playing has placed him in a league of his own. He was born in Stranda, Norway, and educated at the Trondheim Conservatory. It was during his time at the cons. read more. similar to. arvehenriksen Albums. Places of Worship. Complete your Arve Henriksen collection. comentando Places Of Worship, CD, Album, RCD 2147, RCD2147. Worlds new favorite trumpet player returns to Rune Grammofon with Places Of Worship. Making the aura of these places audible, Henriksens haunted horn and idiosyncratic treble vocals carry an air of treading on forbidden territory, stirring up the dust of forgotten spirits. Another dazzling element of the album is the reminder of Henriksens distinctive soprano voice, which could be easily mistaken for that of a womans. It is particularly arresting on Lament , where it soars above falsetto range, resembling a flute-like melody with breathy overtones. Places of Worship, 2013. Saraswati, 04:28. Le Cimetière Marin, 04:28. Unfortunately, the station stopped broadcasting. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations

Performer

Composed by Arve Henriksen, Eivind Aarset and Jan Bang, the work celebrates the longstanding seafaring relationship between Hull and Scandinavia. It was originally the musical companion to a sound walk that took place in April, May and June 2017. Those who took part could listen to the music on headphones while crossing the Humber Bridge. Places of Worship. Arve Henriksen. Black Swan. Arve Henriksen, Teun Verbruggen. Distare Sonanti. Giovanni di Domenico, Arve Henriksen, Tatsuhisa Yamamoto. Transparent Music 2. BJ Cole, BJ Cole. Knut Bjørnar Asphol. Listen to music from Arve Henriksen like Pink Cherry Trees, Opening Image & more. Find the latest tracks, albums, and images from Arve Henriksen. Learn more. Recent Listening Trend. This is Arve Henriksens music collection on Bandcamp. Start your own Arve Henriksen. Norwegian composer and musician. Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has. Henriksen was born in Stranda and educated on the Jazz program at Trondheim Musikkonservatorium he later studied music pedagogy, while he played in Bodega Band 198788, Luft 198789, Veslefrekk from 1989, Close Enough 199092, Nutrio from 1990, and recorded with Bjørn Alterhaug and Tre Små Kinesere 1990. Biography by Thom Jurek. Follow Artist. Norwegian trumpeter Arne Henriksen plays in a world music style influenced by the Japanese flute the shakuhachi. Read Full Biography

Video

Comments (1)

Zorve
World’s new favorite trumpet player returns to Rune Grammofon with Places Of Worship. Followed by experimental ambient, modern classical, and jazz communities alike, this Norwegian shaman of sound bridges the gaps of styles and forms with his unmistakably unique control of the instrument. Arve Henriksen doesn’t simply play the trumpet, the brass is merely an extension of his breath. This observation is confirmed by many Norwegian honors, including the Buddyprisen, Radka Toneff Memorial Award and Kongsberg Jazz Award. Among his numerous collaborations, most notably as a member of the Supersilent supergroup (which features Helge Sten, aka Deathprod, and Stale Storløkken), it is his solo works that I am mostly drawn to, three of which have already appeared on the Oslo based Rune Grammofon.

Perhaps nothing is more striking and enchanting than the opening of the album, titled “Adhān” (the Islamic call to worship, with the root of the word derived from the Arabic ‘adhina’, which means ‘to listen’). Set among a field recording of chirping birds and barely audible and very distant voices of the muezzin, we find Henriksen echo the motifs of the prayer with an instrument whose ambiance is lost among the wind. Suddenly the trumpet gets submerged in beautiful reverb, the strings come in along with orchestral arrangement, and we are fully enveloped by captivating textures. This is where we drown.

Deriving inspiration from various locations of worship, Henriksen composes ten tone poems set around religious buildings, holy places, and abandoned ruins. Although the music does not carry any particular religious connotation, it nevertheless touches on moments of reflection, introspection, and even the sudden fear of the unknown. This exalted sound exudes haunting beauty, spiritual sensitivity, and apparitions of those that have already left.

“Making the aura of these places audible, Henriksen’s haunted horn and idiosyncratic treble vocals carry an air of treading on forbidden territory, stirring up the dust of forgotten spirits.“

Another dazzling element of the album is the reminder of Henriksen’s distinctive soprano voice, which could be easily mistaken for that of a woman’s. It is particularly arresting on “Lament”, where it soars above falsetto range, resembling a flute-like melody with breathy overtones. If words did not contribute to the concept, one would easily draw an immediate parallel of tonal fluctuations between the trumpet and his voice. The moody pieces at times enter a shadow territory of dark ambiance (just as I like it), evoking specters, phantoms and ghosts of temples, churches and mosques, indubitably carrying the history, magnetism and energy of human praise, solitude and angst among these sacred places of worship.

The recording features additional appearances and samples from Jan Bang, Eivind Aarset and The Norwegian Wind Ensemble, most notable of which is the charming singing by Erik Honoré, on the very last track, titled “Shelter From The Storm”. Places of Worship is highly recommended for fans of Miles Davis, Jon Hassell, David Sylvian, Triosk and Fennesz. Be sure to also check out Henriksen’s past releases, Sakuteiki (2001), Chiaroscuro (2004), and Strjon (2007), all available directly from Rune Grammofon. For a quick tour of the label, track down the limited edition 4×10″ box set of favorite various selections celebrating 150 releases by the label, titled Sailing To Byzantium.

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